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Song of Solomon 3

Two scenes, very different. First, a restless night: she leaves her bed and roams the city streets seeking "him whom my soul loves," is found by the watchmen, and finally grasps him and brings him to her mother's house. The same refrain about not awakening love closes the scene. Then, abruptly, a royal procession: "Who is this who comes up from the wilderness like pillars of smoke?" The gear-shift runs from private searching to public spectacle, and from the woman's own voice to a crowd's amazed question.

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English + Português (Portugal)
Song of Solomon 3 (WEB)
  1. 1

    By night on my bed, I sought him whom my soul loves. I sought him, but I didn’t find him.

  2. 2

    I will get up now, and go about the city; in the streets and in the squares I will seek him whom my soul loves. I sought him, but I didn’t find him.

  3. 3

    The watchmen who go about the city found me; “Have you seen him whom my soul loves?”

  4. 4

    I had scarcely passed from them, when I found him whom my soul loves. I held him, and would not let him go, until I had brought him into my mother’s house, into the room of her who conceived me.

  5. 5

    I adjure you, daughters of Jerusalem, by the roes, or by the hinds of the field, that you not stir up nor awaken love, until it so desires.

  6. 6

    Who is this who comes up from the wilderness like pillars of smoke, perfumed with myrrh and frankincense, with all spices of the merchant?

  7. 7

    Behold, it is Solomon’s carriage! Sixty mighty men are around it, of the mighty men of Israel.

  8. 8

    They all handle the sword, and are expert in war. Every man has his sword on his thigh, because of fear in the night.

  9. 9

    King Solomon made himself a carriage of the wood of Lebanon.

  10. 10

    He made its pillars of silver, its bottom of gold, its seat of purple, the middle of it being paved with love, from the daughters of Jerusalem.

  11. 11

    Go out, you daughters of Zion, and see King Solomon, with the crown with which his mother has crowned him, in the day of his weddings, in the day of the gladness of his heart.

Solomon's carriage on parade

The second half lingers on a single object: Solomon's carriage of Lebanon wood, posts of silver, seat of purple, guarded by sixty armed men braced "because of fear in the night." The lavish detail builds toward the wedding-day crown his mother set on him.

Set beside the woman's anxious nighttime search, the armed escort and crown read like its grand public counterpart, two answers to the same fear of losing what is loved.

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